(Valencia, 1999) His work revolves around the performing arts, sound, writing and movement. He combines work as a performer with musical compositions for stage pieces. He also researches themes such as tremor, identity and unconventional stage spaces.
Graduated in textual interpretation from the Escola Superior d'Art Dramàtic de Valencia and in piano interpretation from the Conservatory of Music Professional de Valencia No. 2, she has recently completed the Master's in Contemporary Stage Thought and Creation.
Combina la feina com a actriu amb la composició musical original en peces com “Última Lluna de Mercucio Montesc” (Cia Perros Daneses, València, 2022), o “el fin de la historia”, d’Iván Mozetich i José Ramón Pujante (Festival 10 Sentidos, 2024). Com a dissenyadora de so, ha treballat a “ARQUITECTURA EMOCIONAL” d’Elena Mateo, guanyadora del Certamen CreaMurcia 2024. Altres projectes en què ha participat són “ULTRAFICCIÓN Núm. 3” d’El Conde de Torrefiel (2021) o “Pródigo”, d’Eva Mir (2025).
Driven by the interest of moving away from the traditional scenic device, she begins a research on the intervention of public space from the body together with Jor Camacho Tárraga, with the support of the Valencian Institute of Culture and under the curatorship of Josefina Zuain. In 2022 they culminate this research with the publication of the book “Cartografia de la Fragilitat Exposada” (Ed. Segunda en Papel). During 2023 they work on a research project between body and writing called “Julieta i, si això, Romeo”, with the support of the Youth Residences of the Valencia City Council and the Research Grants of Comité Escénicas.
She is currently researching bodies that tremble in relation to sound through “the tremor”, and is part of the electronic music band Ara Neva.